2013年12月21日 星期六

Stroyboard study 分鏡練習

    I have some plots that will be cinematic footage. So i plan on choosing scene that i like from each film or trailer and doing them as boarding practice. Because we need  some outsource to help us make it become CG and make a contract before chinese new year, I have to finish them with two artists in 3-4 days.  

The image below is my study



2013年12月15日 星期日

為什麼只懂一項軟體的CG藝術家正在絕種 ? WHY THE CG ARTIST WHO ONLY KNOWS ONE APP IS DYING?

I recently read a article about a cg artist who just know one app could be Eliminated. So I like to share with you.

Reference from :   WHY THE CG ARTIST WHO ONLY KNOWS ONE APP IS DYING

3Q Digital tutor



If you’re an artist who has been focusing on mastering that one piece of software you learned in college, you might want to re-think that strategy. Knowing a single software program, no matter what program that is, won’t be enough to get you through your career – no matter the discipline. The reason is actually quite simple: big effects are being created by increasingly smaller budgets.

如果你是一個藝術家,已經在大學裡專攻熟悉一項軟體,你也許要再思考這個策略。了解單一項軟體,不管是甚麼,將不足以讓你度過職場難關。不論任何專業,理由相當簡單,"大"特效是被越來越"小"的預算所製作。

As the old adage goes, “You can have it fast, cheap or good. Pick two.” While this saying may have a glimmer of truth in it, the fact of the matter is that studios around the world are being asked every day to deliver on all three: fast, cheap and good. For studios to deliver big effects on shrinking budgets means they are always on the lookout for artists who are not only good (or even better, great) but are also fast and yes, cheap.

正如一句老話,你可以讓他" 快 " "便宜" 或 "好" 擇二。當這說法也許有一絲絲真理的曙光在裡面,事實的真相是全世界的工作室正在每天被要求給予這三項 : 快 便宜 好。對於工作室要交付預算縮減的大型特效,意味著他們總是在尋找不是只有好 (更好 或 極好),而且要"快" 當然 要"便宜"!!

Unfortunately the term cheap gets some negative connotations with it, so let’s make sure we’re on the same page on what we mean by cheap in this context. Cheap in this context doesn’t mean slashing salaries. In this context, fast and cheapactually mean the same thing. As yet another adage says, “Time is money.” An artist who can deliver quicker than their counterparts is delivering on both fast and cheap simply by saving the cost of the time. An artist who can deliver great work in this shortened time is truly an artist who is delivering on all three: Fast, cheap and great work.

不幸地,"便宜"這個詞有點負面的意思,所以讓我們確定我們是在同篇,對我們意指這篇正文的"便宜"。"便宜"在這篇文不是要削減薪水。正文裡,"快"和"便宜"事實上是同件事。如同另一句老話,時間就是金錢。一個可以交付比同行更快的藝術家也是正交付"快"和"便宜",只藉由"省下時間成本"。(換句話說:"省時"可以換到"快"和"便宜")。一位可以在"短時間"內交付出色作品的藝術家是真正的交付"快" "便宜" 和 "出色作品"的藝術家。

In the long run, it is actually cheaper for a studio to pay a higher salary to an artist who can consistently deliver great work fast than it is to hire an artist who spends a lot more time to deliver the same quality of work.

從長遠來看,對於一間工作室付高薪給一位可以持續迅速交付出色作品的藝術家,比雇一位需花更多時間交付同樣品質的藝術家來的"便宜"。

A great example of this long-term frame of mind can be found when a studio invests in creating custom tools to help speed up their artist’s workflow. Before they were available to the public, tools such as MARI were born out of the necessity to be able to deliver great work within a time-frame that simply wasn’t achievable with the tools that the artists had. Think about the amount of time, money and effort that goes into creating new software just so the artists that use the software can meet the expectations of delivering great work on time and on budget. Could the artists at Weta have created textures for Avatar without building a new tool? The capabilities for creating textures certainly existed. Given enough tweaking time, anything can be made to look great.

一個很棒的例子對於這種長久的思維可以被發現,當一間工作室投資在研發自製的工具去幫助加快他們美術的工作流程。在它們(工具)可以能夠被公開之前,工具如MARI的產生於可以在時程內交付出色作品需求,而不是實現藝術家的工具(可能是藝術家想要的)。思考一下時間,錢和心力,去製作新軟體,只是讓藝術家使用這軟體可以滿足在時間預算內交付出色作品。Wete的藝術家能夠為Avatar製作貼圖不用寫一個新工具嗎? 製作貼圖的功能當然存在。給足夠的調整時間,任何事都可以作的看起很棒!!

But what about the everyday artist?

但對於受雇的藝術家呢?

Not everyone has the luxury of working for a studio that can develop proprietary tools. Then again, not every project requires brand new software to be developed for it to be successful. The key to success comes when you start to understand that all software, is just a tool that can be used to deliver great work. Regardless of the software you use, the faster you can deliver great work the more success you will have.

不是每個人有機會在可以研發專屬工具的工作室裡工作。再次,不是每個專案要求全新軟體去為專案開發使它成功。成功的關鍵在於,你開始了解所有的軟體,只是工具可以被利用交付出色作品。無論你使用任何軟件,你可以更快交付出色作品,成功將近在直尺。

If you’re only using one software program for everything, try setting yourself up for success by looking at the tools available in your discipline. Existing software tools are constantly improved and new software tools pop up all the time. In the fast-paced CG industry, everyone benefits when they adapt positively to the change that is bound to happen.

如果你只用一種軟體處理任何事情,為了成功試著調整自己,在你的訓練裡找尋可用工具 。現有的軟體工具是持續的進步並且新軟體不斷的產生。在步調快速的CG工業中,每個人受益當他們積極適應改變就會必然發生。

While the specific tools you end up adding to your repertoire will vary depending on your discipline, here are some of our favorite methods for taking that next step and transitioning from a single-software artist to an artist with an arsenal of tools.

你決定特定工具增加為你的技能,將非常依靠你的訓練,這裡有一些我們最愛的方法為下一階段和從單一軟體藝術家轉型為有整屋子工具的藝術家。

Learn the fundamentals. When you know the fundamentals of 3D, it’ll be a lot easier to bounce between different 3D programs.

學習基本原則. 當你知道3D的基礎原則,就容易跨不一樣的3D軟體

Find a part of your workflow that you want to spend less time doing. Chances are pretty good that you’re not the only one who doesn’t enjoy doing certain parts of your workflow. That usually means someone has taken the time to figure out how to speed it up.

找出你的工作流程中你想花最少時間的部分.機會是相當好的,你不是唯一不樂在做你工作流程中重要的部分。這通常意味著有人要花時間了解要如何加速它。


Add something extra to your work. Sometimes it is necessary to learn new software to take your work from good to great.

增加額外的東西到你的作品,有時候是必要去學新的軟體,讓你的作品從好到更好。

Learn about the steps around you. Knowing about the parts of the pipeline around your discipline can help you create assets that fit into the pipeline better. This means less revisions and, by extension, faster end results.

了解你的步驟,知道你訓練的流程可以幫助你做一些料件,更適合流程。這表示更少的修訂並且快速得到結果。

So, after i read it, I thought that i am on the right  way. But, I should make my mental peace to face the disorderly society  of Taiwan. 















2013年12月3日 星期二

Edit _ Edit a trailer for your movie,game,promos and the commercials. 剪接_剪輯你的電影 遊戲 簡介 和商業的宣傳預告片

      Not only I responsible for environment prop,assets, I also have to supervise animation. Especially, our game will be published . I have to edit a trailer for it. Now, i want to share a article about "How to  edit a trailer for your movie ? "

我不僅是負責的環境道具,設備,我也有監督的動畫。特別是,我們的遊戲即將公佈。我要剪輯一個預告片吧。現在,我想分享一個關於文章“如何為您的電影剪輯預告片?”

Below are my translated from How to edit a trailer for your movie… by the guy who cuts trailers for movies!

以下是我的翻譯從這網頁How to edit a trailer for your movie… by the guy who cuts trailers for movies!

__1.A good piece of marketing material is a bonus and a must for any film, on any budget level.

在任何電影預算等級上,一個好的商業素材是有好處和必須的.

__2.Don’t get bogged down trying to explain everything from A to Z, that’s the film’s job.

不要陷入試著解釋每件事,那是電影的工作

__3.Choose the story through line and stick to it.

選擇貫串故事線並緊抓著

__4.Don’t introduce too many motifs or characters choose whose journey it is – if you’re fortunate            to have a known performer, albeit in a minor role, utilise that fact.

不要導入太多的主題或選擇角色的任務 - 如果你很幸運,有一個有名的演員,儘管是一個次要的角色,利用這個元素。

__5.Don’t name check people who nobody knows.

不引用沒人認識的人

__6.Know the end, the theme and feeling you want to leave the viewer with.

知道結局,主題和你想要給觀眾的感受

__7.The trailer doesn’t have to be as linear as the film – often better if it isn’t.

預告片不必要和電影一樣直述  - 通常最好不要

__8.Don’t have random moments that come out of nowhere – sounds contradictory to the above point but you can put scenes in any order as long a the through story is being followed, don’t be afraid of mixing it up.

沒有隨機憑空冒出的時刻,聽起來和上面觀點相矛盾,但你可以放場景在任何需求,只要是個能符合故事,不要害怕混接起來。


__9.Writing copy (the voice over or captions) is tough, unless you have a way with words, don’t try and be too smart, serve the film rather than attempting to be clever with you words. The copy should encapsulate your through line story and can be helpful to skip through this. However, if you don’t need copy, don’t use it. If the film is strong enough let it do the talking.

寫文案(語音或標題)是困難的,除非你有使用文字的方式,不要試圖太精明,協助電影,而不是試圖要巧用你的文字。文案應包裝你的整體故事,可以幫助略過了。但是,如果你不需要文案,請不要使用它。如果電影是足夠豐富讓它來說話。

__10.Stick with simple graphic captions – often the best way if you’re not graphically skilled.

堅持使用簡單的平面字幕 - 通常是最好的方式,如果你沒有平面設計的技術的話。

__11.Voice over is not a must, and bad VO can alienate the viewer (don’t cheapen it with a fake American accent, if you’re a Brit and can read the lines, be a Brit, just be confident. Failing that, stick with captions)

旁白不是必要的,壞的VO會疏遠觀眾(不要用假的美國口音貶低它,如果你是一個英國人,並可以讀稿(暫時這樣翻),身為一個英國人,只要有信心,如果做不到這一點,堅持用字幕)


__12.Don’t let shots and moments out stay their welcome. The perfectly constructed moment you created in your film CAN be trimmed right down in the trailer, don’t worry it doesn’t ruin your film. It will always be perfect in the film.

不要讓鏡頭和瞬間停留太久。你在你的電影創造了完美的結構情節可以在預告片中對倒修剪,不用擔心它不會破壞你的電影。這將永遠是完美的電影。

__13.Say something once, for example you may have two characters saying pretty much the same point in two different ways, cut one out you don’t need the other. Move on.

一次說一件事,例如你可能有兩個角色說法幾乎相同觀點用兩種不同的方式,剪掉其中一位你不需要。繼續前進。


What’s the score? 

配樂是甚麼?

Now, music is also a big tool and I find it super important. If you are cutting your own trailer and have no more cash in the bank then you won’t be able to afford the new big music cue, or the old classic track that may set your tone up perfectly.

現在,音樂也是一項有力工具並且我發現它超級重要,如果你正在剪輯你的宣傳片並且在銀行裡沒有更多的現金,那麼你沒辦法負擔新的音樂演出,或是經典曲目也許可以讓你的調性完美提升。


How long?

要多長?

A good length is from 90 seconds to 2 minutes, any extra is unnecessary. Hollywood movie trailers generally run at 2’30”, but often I feel they are too much, and they certainly can labour the point.

一個適當的長度是90秒到2分鐘,任何多餘的是不必要的。好萊塢電影預告片一般運作在2'30“,但往往我覺得他們是太多了,並且他們肯定太費力解釋。

The final image is important, if your film is a horror, end with horror, it’s a comedy, go out on a great gag, if you’ve made a rom-com, then make sure you end on some rom and com.

最後的印象很重要,如果你的電影是恐怖,就用恐怖結尾。是喜劇,就用一個很棒的搞笑。你如果是愛情喜劇,那就確定你的結尾是愛情和喜劇!

Let's go ahead and start watching the trailer 《軒轅劍陸》天外之章宣傳影片



2013年11月23日 星期六

AE_animation Loop Expression tip _動畫循環表達式

Hello,guys,Today i want to show you the tip about the Loop express of the After Effect. It's a piece cake and useful !

So, let's go ahead and start looking !

大家好,今天我要秀一個有關AE LoopExpress的訣竅,相當簡單。好,我們接下看吧!

__0.First, Make a Loop animation

       首先做一個循環動畫  

__1.Alt-click the time-Vary stop watch icon. It'll show up the Expression.

      按住Alt並點一下時鐘標示,它就會出現Expression

__2.Click the play icon. choice Property -> LoopIn ~~~ LoopOut~~. Let's take look them. What are          their effect ?

       點擊play標示,選擇 Proerty,就會看到Loop系列的Expression.我們看看他們的效果是甚            麼?


 __3. LoopIn : It's mean red range is effected by LoopIn , include the keyframes.

        LoopIn : 圖中的紅色區域是有作用的,包含Keyframe


__4.LoopOut : It's mean red range is effected by LoopOut, include the keyframes.

       LoopOut : 圖中的紅色區域是有作用的,包含Keyframe

__5.LoopInDuration : It's mean red range is effected by LoopInDuration, dose not include the key                                            frame. You can change the value of the duration which should be less than                                              zero.

      LoopInDuration : 圖中的紅色區域是有作用的,不包含Keyframe,你可更改Duration的數值,                                     要小於0.

__6.LoopOutDuration : It's mean red range is effected by LoopOutDuration, dose not include the key                                        frame. You can change the value of the duration which should be less than                                               zero.
       LoopOutDuration : 圖中的紅色區域是有作用的,不包含Keyframe,你可更改Duration的數                                          值, 要小於0.



It's pretty easy, right ? Try it !
很簡單對吧? 試試看吧!

2013年11月16日 星期六

Xuan Yuan Sword 6_DLC _Game trailer

I made a Game trailer visual  this month . First using Element 3D (Video Copilot produce) in this project. That's really fast for 3D rendering in AE. Saving our a lots time.

Let's go ahead and start looking at the Game trailer i made for my company.

這個月,我做了一個遊戲預告片。第一次使用element3D(Video Copilot 開發)在這個專案中。這是真快,在AE中3D渲染。節省我們大量的時間。讓我們繼續看,我為我公司在遊戲預告片。

Title : Xuan Yuan Sword 6-DLC -Game trailer  軒轅劍6 DLC 天外之章

Software : AE

https://www.youtube.com/watch?v=C39g9Mo6_XU&feature=c4-overview&list=UUPRG66bnHqgDSD7NlmUPuZQ




2013年11月13日 星期三

Xuan Yuan Sword 6_DLC_ (bake a hard edge Normal map)

I just finish my project last month. Yes, it's SWD6-DLC ! This time i have some cool challenges. Create a lot of hard-edge model for Environment. Why do i say this is challenge ? Because i didn't much understand the Normal of the Hard-edge and took a lots time to test hard-edge Normal map, let it  looked correctly in Unity .

上個月我剛完成我的專案。是的,它是軒轅劍六-天外之章!這一次,我有一些很酷的挑戰。創建大量的硬邊場景模型。為什麼我說這是挑戰嗎?因為我沒有多少了解法線的硬邊,花了大量的時間來測試硬邊法線貼圖讓它在Unity引擎看起來正確的。

Generally speaking, baking a hard-edge normal.

一般來說,烘烤法線硬邊。

 I will to smooth group ,setting auto-smooth 45 degree,in 3dsMAX.

我將平滑組,設置自動平滑為45度,在3dsmax。


Cutting UV,depend on different smooth group.

切割UV,取決於不同的平滑組。



Reduce the Gradient of Normal map to avoid the odd shadow in Game engine.

減少法線貼圖的漸層,以避免在遊戲引擎中奇怪的陰影。



As a reminder, this way i test in unity is OK!  Some engine maybe not !

作為提醒,這種方式,我測試Unity引擎是OK!有些引擎也許不是!

2013年11月4日 星期一

Training 30 mins sketch in a week _day_07

Finally, i finish a series of the training in a week.

I should do more practices in the future if i want to be better.


2013年11月3日 星期日

Render_Linear workflow _part1

Let's talk about Linear Workflow, I have learned something  from DT and shared them with you.

我們來討論Linear Workflow,我從DT那邊學到一些事情並且和你們分享

__1.The most important thing !

最重要的事情!

為什麼Linear Workflow 重要?

__你在你的銀幕上看到的一切是個謊言!

-那些8-bit的圖片(JPG,BMP,TGA)都是有被gamma-encoded(sRGB)校正過,為讓它正確的顯示    在你的營幕上。

-那些32-bit的圖片(HDR,EXR,TIFF)沒有被gamma-encoded(Linear),所以他們看起來錯誤的顯示  在你電腦營幕上

__你的3D軟體並沒有把你螢幕的gamma納入燈光結果裡,所以燈光總是比他們應該的還暗,       我們要用gamma-correction去修正


__Ex :


__This a test.

    Linear Workflow 被利用來正確地顯示顏色和燈光資訊在電腦螢幕上


To be continued....

Training 30 mins sketch in a week _day_06

Finish it ! Take a shower !


Training 30 mins sketch in a week _day_05

OH NO~~

I miss the today's deadline !! damn!!

Good night


2013年10月31日 星期四

2013年10月27日 星期日

AE_Audio Spectrum Effect 音頻頻譜特效

This week , I learned a cool effect about audio from VC. No third plug-in.Just AE Built-in. Like this

這禮拜,我從Video copilot學到一個有關音效很炫的特效,不是外掛,AE內建,像這樣


It's pretty simple and easy to do this effect.

這相當單純並且簡單做到

So let's begin !

開始吧!

1.__ Add a solid layer(no matter any color) and Import a MUSIC !!

增加一個solid layer(不管甚麼色,最後都變成黑底)並且匯入音樂

   __Add a Audio Spectrum Effect to it

添加 Audio Spectrum特效

   __ In the options,check Audio Layer and choice the music layer.

在 Audio Spectrum的屬性中,打開Audio Layer並且選音樂那層

PS : Maximum Height means the Height of the wave.   High value brings high wave.

PS: Maximum Height 就是波形的最高峰 數值越高 波形越高

 
2.__ You will see it immediately.

   你就立刻看到效果了



3.__More details 

更多細節

  __Draw a mask in the same layer.

畫一個MASK在原來的layer上

  __In the options,check Path and choice the mask, and it will follows the path.
在屬性中,打開Path選Mask,它將會跟隨PATH

PS : Frequency Bands means the number of the band.

PS : Frequency Bands指的是元素(長條)的密度

4.__Hold ctrl and drag Left mouse bottom could help you drag slowly to get precise value.

按住ctrl 並且拖曳左鍵,可以幫你慢慢拖出更精確的值.


5.__Side options : control audio effect from inside ,outside or two side.

可以控制特效來自裡面或外面或是雙向


6.__Display Options  : change display 

改變外型

  __Thickness

改變厚度


7.__Audio Duration(milliseconds)

音效持續


Enjoy it !!

2013年10月20日 星期日

Creating a tiling mesh with ZBrush

__I need a rock stair in my scene, and it is tile rock surface. So if i want to sculpt it with ZB, how to do? 
我需要一個石頭階梯在我的場景裡,並且它是4方連續的石頭表面。如果我要在ZB雕刻這階梯,該如何做?

__GO to  Brush -> Curve -> WrapMode     (3Q ZB!!)



I also find this bradhb3d' s tutorial 


enjoy it !

2013年10月13日 星期日

How to Edit cage with xNormal ? 如何用xNormal編輯cage


I 'm xNormal User. Below it's my xNormal summary .      

我是xNormal使用者,下面是我的xNormal使用總結

1.  It bakes Normal texture faster then Max.

xNo燒Nor比MAX快

2. It could calculate HP easier then Max

xNo計算HP比較簡單

3. It's easy to make different kinds of texture in the same time.

xNo容易一次產出多種貼圖

4. Edit the cage of the model   is simple with xNormal.

在xNo編輯cage很單純

How to Edit cage with xNormal ?

如何編輯cage在xNormal裡

1.__Add your HP and LP. Go to  3D Viewer >Launch viewer

匯入你的高低模,然後去3D Viewer >Launch viewer 


  2.__3D Viewer  (Control setting on Bottom right) 

操作設定在右下角


3.__Turn on Show cage. Use the bar of Cage global extrusion  to extrusion

 打開show cage. 使用Cage global extrusion 做調整


4.__Turn on Edit Cage . Hold Middle mouse button to draw select the vertex of the cage .

 打開Edit cage. 按住滑鼠中鍵圈選cage的點


5.__Use the R G B color bar to Edit it.

使用R G B的Bar去做編輯


6.__Save meshs ! (Important !) Save it  as SBM file.

存Mesh 存成SBM檔 這很重要!!


7.__Now,You could find out the LP has been changed. And Just bakes your own Normal map !

現在你會發現LP被換成SBM檔了,然後就去燒出你的Normal 吧!


Enjoy it !

2013年10月7日 星期一

When i bake normal map with Xnormal or 3D max , they look a little bit different in hard edges model. Why ~~ part_01

As title, i found some research from polycount thread .(3q so much ).

research :  http://www.polycount.com/forum/showthread.php?t=107196

Below it's my study summary.

1._There are two methods to bake a normal map.

2._Averaged projection mesh and Explicit mesh normal  

3._In 3DMax, By default ,it's averaged projection.But  Turn off "cage" and then Offset option will be show off in the RTT (render to texture) option. It will become EMN mode.

 In Xnormal, it's Explicit mesh normal .If you use "cage",it will become APM  <------No wonder i find my normal map baked from xNormal different with others baked from MAX !!!

4._Using a synced normals workflow. (If your game engine support it )

to be continued~~

Left : Normal baked Max
Right : Normal bake Xnormal
PS : SG180 = smooth group 180 ,non SG = No smooth group


如題,我從polycount 討論串發現了一些資料(太感謝了)

資料來源 :  http://www.polycount.com/forum/showthread.php?t=107196

下面是我的學習總結。

1._有2種烘培Normal map的方法

2._分別是Averaged projection mesh and Explicit mesh normal 

3._3DMAX,默認情況下,它是APM。但關閉“cage”,然後offset選項將顯示在RTT(渲染到紋理)選項,它將變成為EMN模式。



 在Xnormal,它是EMN,如果您使用的“cage”,它將成為APM<------難怪我發現我從Xnormal燒的法線貼圖與他人從MAX燒的不同

Xnormal                                                                       

















MAX

















4._使用同步的法線工作流程。 (如果你的遊戲的引擎支持)


待續~~

2013年9月29日 星期日

Vray_Material ID

 When i have objects with multi-materials on it , i want to separate them in different render pass.

當我有很多物件有復合的材質球,我想將它們分開在不同的渲染通道。

1. Pick one material of the objects   從物件中選一個材質


2.Going to VRayMtlSG tab. Select Attribute -> Vray -> Material ID

在那個材質球的SG設定Material ID


3.Pick one Color to be a Material ID
選定一個顏色


4.Go to Render setting.   Select Render Elements -> Material ID in Available render elements
到Render setting, 找到Render Elements ,在Available render elements 找到 Material ID



5.Prview in VFB .Select -> materialID
用VFB預覽,選擇material ID


enjoy it !